Triin Kerge
  • Sand and other sediments
  • Scenes from a lost family album
  • Hopscotch
  • Mountains as far as the eye can see
  • Siberian Children
  • Waiting lane
  • If /When /How far is close
  • Place of home
  • Sand and other sediments
  • Scenes from a lost family album
  • Hopscotch
  • Mountains as far as the eye can see
  • Siberian Children
  • Waiting lane
  • If /When /How far is close
  • Place of home

Sand and Other Sediments

2019-2022
This series of embroidery works stems from a lifelong relationship with a single tree — first visited by my parents before my birth and later claimed as my own.
In embroidery, every stitch testifies that the past once existed. The process resembles roots binding soil, a quiet archaeology of memory. Just as trees cannot exist without their past, embroidery holds a record of time: fragile, layered, and deeply rooted.


Picture
Sand and Other Sediments 1.
​Framed embroidery, 57x80cm
Photo Vahur Lõhmus
Picture
Sand and Other Sediments 2.
​Framed embroidery, 55x58cm

Photo Vahur Lõhmus
Picture
Sand and Other Sediments 3.
​Framed embroidery, 55x57cm
Photo Vahur Lõhmus
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  • Sand and other sediments
  • Scenes from a lost family album
  • Hopscotch
  • Mountains as far as the eye can see
  • Siberian Children
  • Waiting lane
  • If /When /How far is close
  • Place of home