Triin Kerge
  • Threads of the Canals
  • Scenes from a lost family album
  • Sand and other sediments
  • Hopscotch
  • Mountains as far as the eye can see
  • Siberian Children
  • Waiting lane
  • If /When /How far is close
  • Place of home
  • About
    • Short bio + CV
  • Threads of the Canals
  • Scenes from a lost family album
  • Sand and other sediments
  • Hopscotch
  • Mountains as far as the eye can see
  • Siberian Children
  • Waiting lane
  • If /When /How far is close
  • Place of home
  • About
    • Short bio + CV

Sand and Other Sediments

2019-2022
This series of embroidered works stems from a lifelong relationship with a single tree — first visited by my parents before my birth and later claimed as my own.
In embroidery, every stitch attests to the existence of the past. The process resembles roots binding soil: a quiet archaeology of memory. Just as trees cannot exist without their history, embroidery holds a record of time — fragile, layered, and deeply rooted.
Picture
Sand and Other Sediments I, framed hand embroidery, 57x80cm
Picture
Sand and Other Sediments II, ​ framed hand embroidery, 55x58cm
Picture
Sand and Other Sediments III, ​ framed hand embroidery, 55x57cm
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  • Threads of the Canals
  • Scenes from a lost family album
  • Sand and other sediments
  • Hopscotch
  • Mountains as far as the eye can see
  • Siberian Children
  • Waiting lane
  • If /When /How far is close
  • Place of home
  • About
    • Short bio + CV